A WINDOW TO EUROPE: THROUGH ART & LITERATURE
FEATURING STEPHANIE WILLIAMS
December 18, 2021 - January 3, 2022
Plain Sight DC and the EU National Institutes of Culture in Washington, DC present A Window to Europe: Through Literature and Art, a series of short exhibitions featuring eleven visual artists from the Washington, DC region who will create work in response to eleven books by European writers, as part of the 2021 Europe Readr project. In this exhibition, Stephanie Williams creates work in response to Austrian writer Michael Roher’s book Fridolin’s Hair Salon.
This exhibition is presented in partnership with EUNIC DC, the EU Delegation to the United States, and the Austrian Cultural Forum Washington
ABOUT THE EXHIBITION: The difference between being a body and having a body is that being a body is in direct conversation with one’s physical presence—to shift weight, to breath, to sense—and having a body implies that our bodies stand for some larger context in direct conversation with culture, sometimes becoming a symbolic political object. On a basic scale, COVID-19 called attention to the limitations of our physical bodies: to touch, to breath, to see. On a more complex level, it highlighted social inequity: the violence shown against black communities highlights that there is a difference existing in a body so steeped in politics.
Stephanie Williams' has drawn inspiration from the illustrations in Fridolin Franse Frisiert by Michael Roher, and their ability to communicate the oneness of the individual and the multitude of experiences contained within simultaneously. Williams' is drawn to work that requires care in the form of an accumulation of small intimate gestures, in this case, in the form of a stitch and another stitch and another…emphasizing the seaming together of appliquéd, sewn, silver meaty pieces hung and displayed for visual consumption. The bodies are abstracted, showing small visual resemblances to an orifice here and a protuberance there but never replicating a body exactly. In the abstraction, she is able to contemplate—to hand sew, stitch by stitch—the unfolding of the past year, what politics are steeped within so many of our bodies, an act that contemplates in its satire the ridiculousness of judging literal meat.